|Artist Jimmy Talarico|
All things are influenced by some thing. The near-symmetry of nature. Consider a stalk of wheat. The seeds have a pattern and we want to rationalize that the pattern is symmetrical. This is how FL Wright would design, imposing symmetry on the near-symmetrical. But measure the seeds and we’ll most likely find that their distances apart all vary. This is due to the plants response to things that promote life or deplete life. Sun, water, nutrients, seasons... There are no closed systems and all things are influenced by some thing. Including me. And including you.
Another show! Saturday is the opening reception for the Art Across Montana juried show in Miles City, Montana. I've never been to Miles City, but I'm looking forward to the adventure. We are making it a family trip and I'm looking forward to the 4 hour drive (yes, in Montana you can drive for 4 hours and still be in the same state, not even halfway through actually!) And in case you'd like a reminder, these are my two pieces that were selected for the show.
I was asked to show my work this Friday night at the Livingston Art Walk. My pieces will be at 121 S. Main St so come on by if you're in the area... and tell your friends!
I will be presenting never-before-seen-in-public work, "Exposure & Vulnerability" and "Truth & Perception" amongst others.
This show will feature a handful of artists from within CTA Architects Engineers. Come see what happens when technical designers embrace art as a tool for expression.
I had a client for my day job who asked if I could design a replica schoolhouse that would look like its 100 years old to house a sculpture by an amazing artist (who needs to remain anonymousl for the time being). I said yes.
I collaborated with a friend in our office who is also a contractor, Max Anthon with JXM Design & Associates, and this is where we ended up. He has two more weeks to go but is doing an AWESOME job.
Can't wait to see this space filled with a sculpture made from woven willows. It will be beautiful. Oh, and I was interviewed on site today for a documentary they are filming of the process. The owner's rep really likes my art and asked me to talk about how the concepts I explore with my pieces helped in designing this project. So that was amazing. This schoolhouse is for the Tippet Rise Art Center located near Fishtail, MT.
Just found out I had two of my pieces juried into the WaterWorks Art Gallery Art Across Montana show in Miles City, Montana! This was my first time entering a juried show so I couldn't be more excited for the results.
For those who may not know, for juried shows an outside juror is selected to review all submitted work and to pick the best work that will be on display for the length of the show. This show will have "Best of" awards announced at the opening reception on June 27th. A truly exciting honor. Now on to the next one...
Doilies and seashells. That's what I was asked to use. The doilies to reflect how prim and proper Carol was, always with her hair done and jewelry on. The seashells to reflect her home state of Florida, and a life of comfort she left to begin a new life with her husband in rugged Montana.
I have been thinking about how I 'went public' with my art after I created For Helen, my first ash, wax, and flower piece. It was for my mother in honor of her mother. And now I have For Carol created for my mother-in-law in honor of her mother. I had a good relationship with Grandma Carol. We enjoyed teasing each other. And all though I know she'd be quick to point out areas of this piece that could have been improved, I hope she would have appreciated it. I was honored to be asked to make this in her memory. Carol, you are missed.
What happens at the intersection of Truth and Perception? Where our constants are questioned and our ideals lose grounding? It can be uncomfortable and thrilling if we are open to the answer.
I wrapped this one up last night. Not sure if I want to add any subtle accents yet so I'll let it hang for a day or two to feel it out.
I'm really happy with the colors, especially the patina on the copper. This had quite a few experimental elements and was a rewarding experience.
The Long Kiss. Final processed photos.
This piece was made as a 14 year anniversary gift to Melinda. 7 white roses, 7 red roses, and a kiss to last a lifetime.
I've made a number of pieces using crushed up dried flowers, but this is my first with whole dried flowers. A piece like this would make a great anniversary or wedding gift for any fine art lover.
I am having fun experimenting with this next piece. The teaser version is that its about 'value'... ya know, because that's what I do.
I love the look and texture of the brown jute against the smooth blaze orange. I'm thinking the orange will have a layer of clear wax which should ghost it out a bit. The copper in the photo was left over from my last piece. I'm working on my patina process to get the blue brighter, which will be a nice strong contrast to the orange and jute. And of course there will be wax and ash.
These are the copper tubes in a salt and vinegar mix. They soaked for a bit, then I pulled them out, dribbled more vinegar on them, and sprinkled them with salt. If you repeat every few hours turning as needed, you get this...
I'm loving this look! Once I'm satisfied with the depth of the patina I'll give it a light rinse and seal it with lacquer. I'll cut it into smaller pieces then add it to my work.
Well this just got easy! I was going to write a quick blog about the Montana Artreprenuer Program, then I found this site.
It does such a great job giving a brief description of the program I figured why reinvent the wheel?
Instead I'll give a couple reasons why I'm completely excited about this program:
1. The opportunity to learn about running a successful art business by people who are doing it... Enter Meagan and Michael Blessing. Please check out this couple and their work. What they are doing for the Montana art industry is phenomenal.
2. It will give the galleries and collectors that I develop relationships with the confidence in knowing I take my art seriously and that I will be a responsible partner in furthering my craft.
3. Advocacy! As an emerging artist I can build relationships with established artists who may help me in my networking. My hope is to be able to offer the same to the next crop of emerging Montana artists...
Can you tell I'm excited about this? It should be easy to see why! Much thanks to the MAP Director Sheri Jarvis for taking so much time these last few weeks to bring me into the fold. Here's to a very exciting future indeed!
Jimmy & Melinda Talarico
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