|Artist Jimmy Talarico|
What happens at the intersection of Truth and Perception? Where our constants are questioned and our ideals lose grounding? It can be uncomfortable and thrilling if we are open to the answer.
I wrapped this one up last night. Not sure if I want to add any subtle accents yet so I'll let it hang for a day or two to feel it out.
I'm really happy with the colors, especially the patina on the copper. This had quite a few experimental elements and was a rewarding experience.
The Long Kiss. Final processed photos.
This piece was made as a 14 year anniversary gift to Melinda. 7 white roses, 7 red roses, and a kiss to last a lifetime.
I've made a number of pieces using crushed up dried flowers, but this is my first with whole dried flowers. A piece like this would make a great anniversary or wedding gift for any fine art lover.
I am having fun experimenting with this next piece. The teaser version is that its about 'value'... ya know, because that's what I do.
I love the look and texture of the brown jute against the smooth blaze orange. I'm thinking the orange will have a layer of clear wax which should ghost it out a bit. The copper in the photo was left over from my last piece. I'm working on my patina process to get the blue brighter, which will be a nice strong contrast to the orange and jute. And of course there will be wax and ash.
These are the copper tubes in a salt and vinegar mix. They soaked for a bit, then I pulled them out, dribbled more vinegar on them, and sprinkled them with salt. If you repeat every few hours turning as needed, you get this...
I'm loving this look! Once I'm satisfied with the depth of the patina I'll give it a light rinse and seal it with lacquer. I'll cut it into smaller pieces then add it to my work.
Well this just got easy! I was going to write a quick blog about the Montana Artreprenuer Program, then I found this site.
It does such a great job giving a brief description of the program I figured why reinvent the wheel?
Instead I'll give a couple reasons why I'm completely excited about this program:
1. The opportunity to learn about running a successful art business by people who are doing it... Enter Meagan and Michael Blessing. Please check out this couple and their work. What they are doing for the Montana art industry is phenomenal.
2. It will give the galleries and collectors that I develop relationships with the confidence in knowing I take my art seriously and that I will be a responsible partner in furthering my craft.
3. Advocacy! As an emerging artist I can build relationships with established artists who may help me in my networking. My hope is to be able to offer the same to the next crop of emerging Montana artists...
Can you tell I'm excited about this? It should be easy to see why! Much thanks to the MAP Director Sheri Jarvis for taking so much time these last few weeks to bring me into the fold. Here's to a very exciting future indeed!
Last month I applied for a spot to exhibit my artwork in the Zoot Art Gallery, the biggest gallery in Bozeman. Today I had a phone call from their director telling me I had been selected to show! My exhibition will be March through June 2016, which gives me plenty of time to prepare. It will be a joint show with another local artist. I'm excited for the joint show, it will be a GREAT opportunity to expand my network.
The director said there were 20 applicants and 4 shows to fill and I was a top applicant. She ended the conversation by saying my work was really good and she was excited to see it in person.
Overall this was good validation from within our local art community. It was my first application for exhibition and it took quite a bit of effort. Obviously I couldn't be happier with the results. Very exciting.
It's finished! I turn my piece in for the Museum of the Rockies annual fund raiser tomorrow. And I'm excited about how it turned out and how much exposure will come from this.
Title: "Coming To Terms With Myself"
Medium: Ash, wax, plaster, charcoal, acrylic, copper, and wood.
Dimensions: 36" x 12" x 3".
This piece is about how we see ourselves and how we are seen by others. This is my first piece incorporating copper. Copper is symbolic because it is a metal that does not loose value regardless of how new or old it appears. The copper wires contained within the ash and wax represent our subconscious or internal value; who we are at our core. It may not be perfect, but it is pure. The copper pipe within the plaster is symbolic of how we project ourselves to others. The circular forms of the tubes are more refined yet the finish is tainted. This represents our misconceived notions that who we project ourselves to be is of more value than who we truly are. Sometimes we are fortunate enough to be aware of our ego playing this game on our id and can "see" our situation from outside ourselves. This piece is created at that moment.
So here's some more good news. Friday I was asked by a couple who coordinates fund raising events for the Museum of the Rockies (MOR) if I would be willing to donate one of my paintings for auction.
This is why it's cool: The goal of fundraising events is to, ya know, raise funds. In order to do that through an auction, you need to have things in there that you think others would value. I was honored to be asked to contribute.
Not only does our family love the MOR, but this is another great opportunity for more exposure in my quest for global domination of the arts. People will know me in Bozeman, then maybe Belgrade or Livingston after that. Heck I might even extend my reach to Three Forks before too long! Look out world, here I come. :)
Really though, it is an honor. I have a couple months before the event so now the decision is do I submit a piece I've already done or create a new one? I'll keep you posted...
So I'm almost done with another book called The War of Art by Steven Pressfield. It has been a great book and a quick, easy read. Generally the book is about overcoming Resistance which is the antagonist in any creative's life. It is filled with quick micro-chapters that pack a good punch.
One such micro-chapter called "A Professional Demystifies" states the following, which is worth quoting in full:
I love this idea that we are somewhat removed from the process of "making" the idea of our work. Instead we do the work knowing the idea will come, like preparing a dinner for an invited guest. We anticipate his arrival, we make sure there is a setting waiting for him whenever he decides to show.
So some of you may notice how Google on occasion changes the banner image on their homepage based on commemoration of certain events. Well this past Thursday they caught my eye. The image above was displayed with the text to the right reading "to understand is to stand under which is to look up to which is a good way to understand"...
I may be easily amused, but that text to me was profound. The looseness in the words arrangement, the intentional lack of any punctuation in a sort of run-on tone, and of course the message. It was true and humble. I had to find out who this was. And I gotta say my discovery took me by surprise.
I clicked on the banner and discovered Sister Mary Corita Kent... Sister. As in "nun." An artist, and a nun. And her art was amazing. What I discovered is that she was a very influential person in the pop art movement and had an incredible teaching style to her students in Los Angeles.
This was all such an eye opening experience for me. I've struggled at times with wondering if my faith in a God would cause those who don't to disregard my art as some attempt at propaganda. And if those who share my faith would see my art as heresy because it doesn't fit into some churchy package. I take pride in the honesty of my work, the moments of darkness, and moments of hope. I like that it is raw, and messy, and not fake toward truth (if that makes sense).
So I was inspired. By a nun. That transformed pop art in Los Angeles in the 40s. She didn't do "church" art. She did "truth" art. And because of that and her ability to see the world and affectively communicate her perceptions to others, she was also not only accepted but revered within the art community. Truly someone to aspire to.
If you'd like to find out more about Corita Kent, there is a great YouTube video you can watch here:http://youtu.be/15YDYbNk570
So now what am I up to? Seashells and doilies. That's right. It's another Memories to Masterpiece project. This time in memory of Melinda's grandmother, Carol who passed away almost a year ago. She was a strong woman, and I really enjoyed visiting her. We liked to tease each other, always in fun.
Melinda's mom, Bonnie commissioned me to make a piece for her. She asked that I use Carol's seashell collection and Melinda added the doilies. See, Carol grew up in an upper-class family in Florida, but left it all for a life on the road in Montana after she married Bonnie's dad. So the seashells reference her roots.
She was always put together, keeping a weekly hair appointment and wearing her favorite jewelry every day. She was never afraid to give you her opinion, and her opinion was always right. She was proper, and the doilies reference that quality. It is who she was, and we loved her for it.
So now I'll put it all together as fine art in a piece that will honor Carol, in a way that will become a family heirloom.
So that's what I'm working on now. I'll post as I progress.
Jimmy & Melinda Talarico
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